With many years as a recording engineer and producer George knows the good from the bad. In many cases it's a matter of taste, some prefer one EQ over another but George writes unbiased and objective reviews of the equipment tested to help you discover new or interesting gear.
Digitech Studio 400
The 400 is a black 2U multi-fx box, fairly shallow in depth. On first glance one is immediately put in mind of the Eventide H3000. However, this unit is about
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Eventide DSP 4500
The Eventide name is synonymous with the studio harmonizer. Their more recent designs include many other types of effects, but the pitch-shifter remains central to all 'Ultra-Harmonizer' models. The most
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Eventide DSP 7000
Eventide's Orville is a Rolls-Royce effects processor, with 96kHz/24-Bit capability and multiple audio connections enabling surround-sound usage. But it will be some time until we all work exclusively in a
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Eventide H7600
This new Harmonizer is not quite the top-of-the-range model, that honour goes to the H8000FW, an eight channel unit featuring 5.1 presets. But the H7600 is now the top stereo
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Lexicon MPX1
Hot on the heels of Lexicon's mid-range multi-fx PCM80 came tc's reply: the M2000. This incorporated many of the PCM80's innovative features, along with the much vaunted Wizard feature, and
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T.C. Wizard / M2000
The M2000 is a 20-bit dual multi-fx unit in a shallow, lightweight, but solidly-built 1U box, aimed firmly at the Project Studio section of the market, in direct competition with
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TC Electronic FireworX
I was intrigued. A couple of die-hard analogue-loving colleagues were salivating over some new equipment. I presumed it was another valve compressor or somesuch. But no, they were thirsting for
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