With many years as a recording engineer and producer George knows the good from the bad. In many cases it's a matter of taste, some prefer one EQ over another but George writes unbiased and objective reviews of the equipment tested to help you discover new or interesting gear.
When I started work at Livingston Studios at the end of 1984 there was an AMS RMX-16 in both studios. This was the only source of artificial reverb other than
Read full reviewLexicon's top of the range 480L and its predecessor the 224X have for over ten years been held in the highest esteem. No high-end studio looks complete without the familiar
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